Back in December, I posted a excerpt from the major short story I’ve been working on for over a year now, “Nazca City Blues, still to this minute a work in progress. Because I intend to use the story as one of my MFA submission pieces, I’ve been putting a veritable fuck-ton of work into it, including burning the overwhelming majority of the past four days to revising it in preparation for an upcoming workshop. I thought it might be interesting, then, to repost the same scene I teased earlier–this time altered considering. I mean, it remains fundamentally the same scene, but I think that it’s been tightened up and, as recommended by my former instructor Daniel Wallace, reveals more about Naphtali and more about the world. Hopefully I’ve accomplished that. Thoughts always welcome.
But the point of showing you this is to reiterate the importance of drafting, drafting, drafting some more, and ceaselessly, tirelessly revising. As I’ve quoted before, “The first draft of anything is shit” (Earnest Hemingway). Stories usually don’t start to flesh out into something truly worthwhile until the third or fourth draft, and often don’t develop meaning until the fifth. Trust me on this–I’ve consulted a number of accomplished writers about the art of revision, including people who write for GQ. ALmost all of them agree: whether it’s an essay, a poem, or a story, drafting is essential. The way I personally approach the process is to write out the first draft by hand (though not always), print out a hardcopy, and go over it with a blue pen. I’ll repeat this blue pen process every handful of major drafts, applying the changes to the Word document. And when I intend to perform a major rewrite, inserting a hefty amount of new content and revisions, I like to print out the hardcopy of my last draft, open up a blank Word document, and write the story again from scratch, consulting the hardcopy, of course, but avoiding inserting new content like a square peg into a round hole, damaging the flow or cohesion of the narrative. Yes, it’s a time consuming process, but writing generally is (contrary to what some so-called writers might think).
Anyway, here’s Naphtali’s first fight scene from “Nazca City Blues,” revisited:
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Naphtali slipped back through the slums until she found herself on the far end of West Nazca, a few blocks shy of where the city ended and the Wasteland began. Where the Metal Demons lurked, where the remnants of the Ancients laid buried and the Restorians salvaged technology they had no business toying with, like their guns. Like the machine at Zarephath. When she reached the hovel she was last sure Ky kept, she entered without fuss, and climbed up splintered, dilapidated stairs to the fifth floor. At the end of the warped, rotted hall she found Ky’s apartment.
The door was cracked open.
Naphtali hissed inwardly, regretting not swinging by her place for her sword. Still she pushed on, approaching quietly. Reached out and pushed the door open a bit further, rusted hinges whining in strain, and slipped inside. Continue Reading…
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