Archive - September, 2011

the struggles dealing with death

I am an atheist. I make no effort to hide this—in fact, I’m rather quite brazen about it, going so far as to sport apparel that declares as much both subtly and far from subtly. But as an atheist, death is. Well, death is an issue. A fear. The Fear in my life. More than once I’ve had panic attacks mid-shower at the prospect of oblivion, nothingness, the quiet erasure of my existence and consciousness that waits for me. Trust me when I tell you that it is an unnerving fate that sends something far more tremulous than shivers down my spine and rattling through my nervous system. I hope to beat it, but hope is just a word, an idea—nothing we can latch on to with a solid grip.

A few years ago, my grandmother, Tracy, died. A few years before that, my uncle Tony, father to the blood-relative I am closest to, also died. Was, as far as I’m concerned, murdered in a DUI-related car crash (in which he was not the driver under the influence, but rather the victim. Naturally, the piece of shit who got behind the wheel all hopped up and twisted on meds that night survived). These are the only two deaths in my family close enough to affect me. And I never got to say goodbye to either of them. In the case of my uncle, neither did his wife or children. All we got was a phone call that grew into a chain of phone calls.

My grandmother, unfortunately, suffered through the very worst final stages of a cancerous death. She was, like her daughter—my mother—a woman unaccustomed to showing vulnerability. She developed a membranous armor over the course of her difficult, colored life. She was not emotionally detached, but she could weather the worst of storms. But when my brother, Jason, and I went to see her in the hospital she sent us away. We never got past the curtain that hid her from us. Never caught a glimpse of her. Only heard her plead that we not see her “like this,” that we not see her weak. Vulnerable.

I can never decide if this was noble or selfish on her part. On the one hand, I’m somewhat. Grateful. That the lasting image I have of my grandmother, from whom I suspect I inherited many of my traits, is of her at our kitchen table, smoking a cigarette, a two-liter bottle of Diet Pepsi on one side of her, a book on the other, and a Scrabble board laid out in front. As odd as it may sound, this is a beautiful image to me. I’ve tasked my sister to sort through the considerably large collection of photographs—classic, developed, physical photographs—that my mother has amassed to find a picture of her like this image, or at least one that’s as close as possible to that image. I suspect, how it was introduced into my life aside, that my newly developed smoking habit is on some subconscious level a nod to my grandmother—a means to keep her alive in whatever you want to call it. In spirit. In my spirit. I suspect I owe her much more than I’ll ever fully realize.

But I never got to say goodbye. And now she’s gone. She’ll never read my ramblings. She’ll never read my fiction, and she was quite the avid reader. So is my mother. It’s why I’m a reader, and why I’m an English major and a writer. This much I am certain of. There is on some genetic level a tenuous link to a writer on my father’s side, but to a man I never knew. A man I never met, but whose name I was given and by sheer coincidence also share a passion of his.

I apologize for the heavy-handed emotional gravitas of this post. It’s a tad uncharacteristic of me. But after a phone conversation with a friend who is more than just a friend, who, for good or bad, did get to make contact before losing someone forever, I found myself compelled to write about the importance of saying goodbye—perhaps without even saying goodbye—as a means of catharsis. The last attempt at connection, conversation, interaction is especially important to folks like myself, who don’t believe there’s a light at the end of the tunnel. No heaven, no hell. No nothing. And please don’t espouse some hokey religious bullshit to me. I don’t subscribe to it. I don’t take comfort in it. I don’t believe in a “better place,” I believe in no place. Respect that.

This diatribe is raw. Unrefined. I’m not going to comb through it with a meticulous eye and repair sentences and tweak and revise and edit. This is stream-of-consciousness, laid out on the table, stripped down and laid bare. And so is the poem that follows, written on the fly, a writer at his desk sipping on green tea (a tad early for rum, despite the need for it) watching a cigarette smolder and decay into ashes like some discomforting and ill-timed metaphor for life. Continue Reading…

john & mary: a response

John and Mary would never meet,
Because they could not meet.
They were two people living in different universes.
Existence is not without its sense of humor, though,
And saw fit to make these two a perfect match in every way.
But John lived in a world still dreaming of flight,
While Mary’s knew with certainty that no god waited for them among the stars.
Sometimes John and Mary would occupy the same space at the same time.
This was a rare occasion, but when they did,
Whatever forces separated them so profoundly
Would thin,
Wan,
Just enough so that each felt something indefinable.
And then it would pass.
Later, John died.
And so did Mary.
They never met. Would not meet. Could not meet.

Original Poem “John & Mary” by Stephen Dunn.

“The first draft of anything is shit.”

~ Ernest Hemingway

updates, ahoy!

New semester. New site. New life. Typically, spring is associated with “rebirth” and rejuvenation and newness and all that. Fall, on the other hand, is when (at least ’round these North Eastern parts) the trees turn M&M red then yellow then brown, shed (do trees shed? is there a proper term for the droppage of their foliage? I should probably know this … ) and the skies grow gloomier and gloomier with the onset of winter. In poetry, and fiction as well, fall and winter are metaphors for the end of life and death. And yet, personally, I find this particular fall at least to be one of … rightness. Or perhaps righting. Repair. Feel free to insert other “R” words you’re fond of that roughly mean the same thing.

September 1st kicked off the start of the new fall semester at Rutgers. Lots of interesting classes taken and taught. As is to be expected, well, to anyone who has witnessed my rapid and ravenously-driven interest in detective fiction develop over the past year or two, Detective Fiction—the course—is of course of major interest and a blast. There are a handful of linguistics courses that have me enthralled as well, and the obligatory writing course—Advanced Creative Writing—to help tighten up my prose and give me an excuse to write and work on MFA submissions.

On that topic, there are two primary contenders for my (minimum) 20-page MFA submission. Both stories involve my fantasy noir armchair detective, Naphtali Archeron. The first is a straight up whodunnit murder mystery. The second is something harder to articulate with just a few words. It involves archaeology, more world building, and more Metal Demon combat than sleuthing. I hope to have a solid draft of the latter story completed by the end of this semester. The former is presently on its third or fourth draft.

There is also the matter of a local writing contest that a small, Philadelphia-based publisher is holding. Due date is October 31 and the only stipulation is that it be set in the City of Brotherly Love. I’ve decided to take a shot at it—deviate from my usual fantasy and sci-fi stomping grounds (although, the document I received made no mention of when in Philly it had to take place … ). I’ve actually been kicking around the idea of writing a short murder mystery story set in Philadelphia for a while now, mostly inspired by the film Brick. Well, I’m nine pages in so. Fingers crossed! If I win, my story will be included within the anthology and published, which would go a long way to bolstering the ol’ self-esteem and assuaging personal concerns over whether I’ve got “it” or not.

As for the new apartment, which is wrapped up in this whole “new life” thing, the place is great. We—that is, my roommate, Eric, whom I’ve known for several years now, and myself—occupy the entire third floor of an apartment building a half-block down from 40th and Market in Philadelphia. It’s a welcome change of aural and visual stimuli compared to the doldrums of South Jersey suburban hell. I’ve actually lived in this area before, one street over and a few blocks back, so I’m already familiar with this part of the city and am very much a fan. There’s a certain texture to the outlying parts of a metropolitan area that its core just doesn’t bring to you. It’s that texture, those unseen or disregarded or perhaps even shunned shades of life I hope to soak up while living here.

Oh, right, the website! D’ya like? I’m quite the fan. It’s still a work in progress, but I really think it exudes a minimalistic, elegant, noir vibe. Just the right tone for the kind of fiction I’ll be producing and posting here (or directing y’all towards from here). I hope anyone reading this is as fond of it as I am.

Well, with that said, I s’pose I better mosey off to more productive activities—like working on my goddamn stories!